Tuesday, 25 September 2012

Absolute Magnitude report

I decided after a year it was time to draw a line under the Absolute Magnitude project. I think I really should have imposed a timetable, which would perhaps have given more results. However, what we got was really interesting, and also shows what it possible from a few small pieces. I hope for other joint ventures, and may soon put a proposal in the MA OCA site.



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Absolute Magnitude


Absolute Magnitude is the measure of a celestial object's intrinsic brightness, or an expression of a star's luminosity.

It allows the true brightnesses of objects to be compared without regard to distance.


Current and past MA Fine Art students from the Open College Arts contributed a piece to this travelling exhibition, which was sent as a package to each other to show in any display or exhibition context. The brief was that the piece was postcard size, and upon the theme Sun.

Documentation would only revealed to each other at the end of the project.

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         James Kowacz

The exhibition was held at Leeds City College, Joseph Priestley Campus, Morley, Leeds, and was displayed for 1 week in November 2011.
The exhibition was well received and publicised within the college. I was invited to show more work in future if I wanted to. That part of the wall is normally left blank and staff and students had found it nice to have something different to look at. I displayed it very literally in the shape of a sun and it’s rays. I didn’t put any accompanying information up with it, just the title and the exhibitors. It was read well by some of the staff, the students found it more difficult to understand. 

James Kowacz Cosmic Fireworks





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Clare Parfree
  
Curating this exhibition was challenging, considering it was so small, and the similar dimensions of the pieces. Which piece brought out something interesting in another? How did the light work? How close should they be? In a line, or a group? Along the hall way? In the living room? In the kitchen? I settled on the kitchen - near the cake - and the work grouped fairly closely on one wall; this worked well. It was informal, people could sit, eat, chat, drink, and look at and discuss the work. Conversation was relaxed and people felt free to ask questions. The work had an appreciative, although small, audience. People came and went over a few hours. All commented on the range of the work; all loved the idea of this small exhibition traveling to each of us, being hosted in different locations.

Clare Parfree Solar Eclipse: Laika



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Eleanor MacFarlane

I collected several other postcards with views of the sun, a couple new, some from the family, and others vintage – the earliest is from 1910. I wanted to link these with the MA work using a visual theme, and show all within the context of sun postcards. When the packet arrived, my original plan of showing everything in a plain black frame didn’t look effective, and so I chose a large painted board – an abstract painting I had done some years ago. I matched the cards visually to the colours beneath. I wanted to create an artwork rather than a display, to create visual relationships between all the pieces, so that they could be read in different ways, and to give some sense of time and how collections become historical. The board was mounted on a large easel and shown at theViewergallery one day launch, in the Original Gallery, London, October 2011. About a hundred people saw it. The best reaction was an older lady, who drew up a chair and spent a full half hour in front of it, totally engrossed and fascinated.


Eleanor MacFarlane Dark Sun


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Contributing artists:


Alexa Cox Sunbird
Jo Franklin Untitled
Jonathan Holden Untitled
Caroline Jackson Sun
James Kowacz Cosmic Fireworks
MA student Breast
Eleanor MacFarlane Dark Sun
Clare Parfree Solar Eclipse: Laika
Molly Williams Sunset
Amelia Wilson Adoni
Reflection

Absolute Magnitude comprised ten pieces and has the potential for multiple responses. With different formatting and organisation, such travelling exhibitions, inventive displays in gallery, domestic or work settings, allows art to be created without regard to distance, much like the online learning experience.

Eleanor MacFarlane 2012

25th September 2012



theViewergallery at The Original Gallery

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Thinker of thoughts, mother of adults Shadows Echoes Stories Dyslexia London Scotland Drawing Sewing Research Tutor Mentor Books Trees Clouds Quartz Magnets. I review and write about art and culture.

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