The Art of Not Making
By Michael Petry
Thames and Hudson, London 2011
Starts with interesting examination that Duchamp's Fountain, etc, did not de-deify the artist as partly intended, but actually further deified the artist, because the one artist claims complete conceptual authorship despite the arguably equal contribution by others. This is especially true in Duchamp's and Jean Arp's commissions of glass from well known artisan glassblower who had a lot of creative input and control, but who is usually omitted as the artist.
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11 Course Leaders: 20 Questions
A Collection of Interviews with 11 London BA Fine Art Course Leaders
Q-Art, London 2011
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12 Gallerists: 20 Questions
Q-Art, London 2008
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Art Crits: 20 Questions
Q-Art, London 2013
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